Diane Wilson is a Texas shrimper who has been fighting against the chemical destruction of the Gulf of Mexico by large corporations for decades.  Recently she was arrested for protesting at a Congressional hearing on the BP oil disaster and faces two years in jail.  Here is what she had to say in a recent interview with Yes Magazine about what is needed to move towards necessary changes: 

We are going to have to learn to not be so well behaved. We are going to have to move from our hearts. I have always believed that at some time in our lives, we will come across some information that just hits us, and what we do with that bit of information will determine the rest of our lives.

There are no excuses. If you look at the social changes that have been made in this country and all around the world, it is the people who seemed least able to make changes who did. We just forget that we have that kind of potential.

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My observant sister-in-law  snapped this pic on a recent trip to England. In case you can’t read the little note, it says, “You are normal, this is not.”  Beautiful.

Push Up Bra

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As Words Of Choice found out recently, Amnesty International apparently does not consider reproductive choice to be a human right.  Cross-posted with kind permission: 

Words of Choice learned a painful lesson this spring: Amnesty International, one of the most important human rights organization worldwide, does not support reproductive rights.

Amnesty International USA singled out Words of Choice at the First Amnesty International Human Rights Art Festival, and insisted that a speaker be present at Words of Choice events to announce that Amnesty did not support the messages of the play (no representative had seen it or spoken with us).

Amnesty’s position on abortion, we later learned, is exceedingly narrow. It supports a woman’s right to make a decision about pregnancy termination only if she is a victim of rape or incest, or if the life or health of the mother is at stake. It also opposes prison for women who have abortions and supports post-abortion care for botched abortions.

I’ve delayed telling this story because it hurts. Here are the details:

In late April, Words of Choice set out to participate in the Amnesty International Human Rights Art Festival in Silver Spring, Maryland, which was organized by Tom Block, a visual artist. Words of Choice signed up in October 2009; over 150 artists and arts groups joined in.

At the beginning of the year, Words of Choice blogged about the promise of the event, fusing social justice and the arts.

Dates were set, money raised, rehearsals held, venues scheduled, travel plans made. After months of planning, Words of Choice arrived in Silver Spring in April. That afternoon, Block sent an email:

An Amnesty International representative will be onsite at both of your events to state at the beginning that the views of Words of Choice do not represent the official position of Amnesty International, as officially, Amnesty takes no position on abortion rights.

It is either this or cancel your event.Thomas Block
Producer

This was unusual because no Amnesty representative had seen the play, and no other artist that we know of received a similar demand. Nonetheless, we welcomed participation, especially since Words of Choice is meant to open up discussions about reproductive rights.

Our first event at the Human Rights Art Festival was a Creativity Workshop at Pyramid Atlantic art center. Folabi K. Olagbaju, (above,left) Director of the Mid-Atlantic Regional Office of Amnesty International USA, arrived while we were in process. He described, at length, Amnesty’s position — supporting the legal access to abortion only in cases of rape, incest or grave threat to life or health.

He later sent an email further explaining the position of Amnesty and it is reprinted in full here.

Olagbaju writes that Amnesty’s current policy enables it to:

1. Support women who seek a safe, early medical termination of pregnancy in cases of rape, incest or when a woman’s life or health is at grave risk.
2. Urge governments to make medical care available to women who suffer complications from unsafe abortion; and
3. Oppose imprisonment or other criminal penalties for abortion against women or their providers.


Olagbaju described the adoption of this policy, dating only to 2007, as a step forward, despite the fact that Amnesty’s policy is approximately equivalent to an abortion ban proposed in South Dakota in 2008 (and voted down).

On its website, the Amnesty policy can be found on fact sheets and descriptions of Sexual and Reproductive Rights. Of particular interest is a FAQ on Sexual and Reproductive Rights.

Olagbaju said in person and by email that our events would not have been cancelled.

Note:  Here is the specific wording of AI’s position on abortion.  I have always considered their work to be of the utmost important and their organization to be a significant ally on women’s human rights issues.  While I continue to believe that they do valuable work, this incident and their stated position is extremely disturbing and I will not promote contributing to their work until that stand changes.

AI takes no position on whether abortion is right or wrong, nor on whether or not abortion should be legal.  The particular right AI works to protect is the right of all women to be free of any form of coercion, discrimination or violence as they make and put into effect informed decisions regarding the regulation of their fertility.

AI’s sexual and reproductive rights policy emphasizes access to contraceptive services and to sexual health information so that the risk of unwanted pregnancies can be reduced.

4.  Does AI promote “abortion as human right”?
No. Some media reports and individuals have claimed that AI promotes a “human right to abortion.” This grossly misrepresents AI’s policy on sexual and reproductive rights.

5.  Is it accurate to say that Amnesty International has a neutral position on the abortion question?
AI takes no position on whether abortion is right or wrong. AI has long opposed forced abortion, sterilization and contraception in all circumstances. AI currently does not take a position on laws regulating the termination of pregnancy other than in cases when pregnancy results from rape, sexual assault, or incest or where it poses a risk to the woman’s life or a grave risk to her health.

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As a general rule I don’t review books or movies due to a lack of time, but when I saw the trailer for the film Who Does She Think She Is, I knew I needed to make an exception because while it isn’t, it could have been about my life and my work.  In this beautiful, thought provoking film, Pamela Tanner Boll follows 5 women artists, examining the way that they juggle family and their art and looks at both how their familial context informs their art and how it hinders it.

In her artist’s statement Boll writes about her early years of creative work before she had children and the chilling discovery that very few female creatives had children. She writes,

I loved their work but was frightened by their lives.  So frightened that she spent the next 10 years working on Wall Street.

But then Boll did have children and what she discovered was that,

On becoming a mother, the buried part of myself-the emotional and curious, the creative-roared back to life.  I wrote, then began painting again.  Mothering had returned me to my expressive, creative self.

The details of my story are different, but I too was at a point of being creatively stalled when my first child was born.  After his birth, while he napped, I started to draw, then paint, do collage, and later migrated into activism and writing.  I juggled my work and my kids, the distractions were endless.  There were shows and conferences I just couldn’t get to, times when I had to put things aside just when I had a brilliant inspiration.  But I have no doubt that my distractions were also a source of inspiration.  It was a double edged juggling act.  It wasn’t easy butI wouldn’t trade that experience for anything and in the end, the kids and I and my work all survived and thrived.

But as Boll points out, utilizing the expert voices of Courtney Martin and Riane Eisler, creative women with children are not what society expects, we are truly outsiders. But what we have to offer is an authentic, real vision that comes from voices that have traditionally been shut out, and we need to be supported and seen and heard to truly understand our cultural identity.

The film, as well as discussion and educational materials are available on the website.

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Jun 012010
 

The Raging Grannies put our collective political conscience to song:

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